A graduate of Duperré and Estienne public art schools in Paris, Quentin Vijoux works for various communication agencies and draws illustrations for the international press. He loves to draw with a very simple “ligne claire” stroke. His first comic, entitled “Eugene,” was published by Michel Lagarde in 2013.
Is the boom of illustration in tech all quantity, no variety? This week: the roots and risks of visual monoculture. Why do trends catch on and how do we rise above them to create truly unique voices?
When humanizing technology means illustrating humans (or even human-like characters), opportunities and risks abound. A tone-deaf approach could irritate, or worse, offend. This week, we learn how to represent people with an eye towards representation.